,2Final Draft, Inc. Final DraftPFFFF000000060002000177AA00000000007B000000002000110000001-77FB67000480048-24FA2D200C0-1ACB3A9AB7D60640064718A2D27CFFFF010EFB00001000000800000000206FC8404F844292346D503CC00141D8442918E06FCEFB4084042984A2D2347F2038E003A21CCA2D1270000200000702000000006FC,INt-BEDROOM:day Overhead shot of a bed, the purple silk sheets are tousled, there is a WIZARD, in his thirties or forties, lingering near the end of his nights sleep. WIZARD is all on one side, indicating that at the beginning of said nights sleep there was also a woman in the bed. Gradually, the he wakes. CUT TO: INt-HALLWAY:day WIZARD walks through the lavish house, and we notice some of the extravagant items that line the walls. CUT TO: INT-KITCHEN:DAY WIZARD puts on a pot of coffee, walks out through sliding glass doors. CUT TO: EXT-BALCONY:DAY WIZARD steps onto the balcony, and looks around. There are wrecked, abandoned cars in the parking lot of a laundromat that sports a faded sign in two languages. A VAGRANT is urinating with aplomb. This is in stark contrast to the lush interior of the home. He takes a look around, smirks, and walks back into the kitchen. CUT TO: INT-KITCHEN:DAY WIZARD presses the blinking answering machine button, and opens the cabinets to look for a mug. The video screen comes to life, featuring WIZARD, looking groomed, and a woman sitting next to him on the couch. WIZARD (RECORDING) Hi, youve reached 1415-9265...we cant come to the phone right now... WOMAN (RECORDING) ...So leave a message and, like magic, well get back to you! The recorded WIZARD waves his wand, creating swirling light, as WOMAN presses the stop button on the remote. In the kitchen, WIZARD has given up on mugs and takes out a measuring cup. Theres a beep, accompanied by a screen that says 1 new message. The screen then cuts to what looks to be a phone booth, outdoors. We see the WOMAN from the outgoing message, looking tousled. Behind her is a car, loaded with boxes. WIZARD pours his coffee into the measuring cup, and moves in to watch the screen. 000200000805000006FC7FF,WOMAN (RECORDING) Hey...Its me. Youve probably already figured out that I left, if not because you missed me, then probably because you missed the stuff I took. I was kinda surprised that the noise of me packing didnt wake you up....although, not really. Look. I had to leave. I couldnt handle it anymore. This...life you... (pauses) ...we were leading. I know, I know, you think ambition is overrated, but...I feel so stagnant, so... Maybe if I could think of something...anything...to assure me that you dont see me as just another disposable commodity; that I mean more to you than some comfortable chair you magicked up. Maybe its my old-fashioned upbringing or something, but having everything leaves something to be desired. Im going to New York, my sister and her husband are leaving for their honeymoon. Ill call you when Im there. Im sorry... (pauses) ..No...Im not. Bye. The recorded WOMAN reaches out towards the screen, and it switches to an End of Message screen. WIZARD (to himself) Ah, shit... Beat. WIZARD What did she take? He drops his measuring cup of coffee sloppily onto the table, and strolls back to the bedroom. WIZARD Ill just have to make more. CUT TO: INT-BEDROOM:DAY WIZARD is rummaging through the piles of laundry and random clutter that cover the floor of the bedroom. WIZARD (muttering, to himself) No, no, no, no....not the wand...whered I put the wand.... Shots of him muttering, as he looks under bed, in closet, under cat, etc. He sits on the bed, distraught, talking to himself. WIZARD Ok, OK. Retrace my steps. Where was I? I came in, hit the light, it didnt work, so I zapped it. She complained, so I un-zapped it. Took off the robes...and put the wand...IN THE DRAWER IN THE LITTLE TABLE BY THE BED!! WIZARD rolls over, looks at the spot where the table was, until this morning. Impressions of the tables feet are in the carpet. WIZARD Shitshitshitshitshit....NO! Runs out onto balcony WIZARD (shouting) SHE TOOK MY WAND!! Cut to: INT. bar-day Bartender She took what? 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(O.S.) (O.C.) (CONT'D) (SUBTITLE) (RECORDING)6sTTR CUT TO: FADE IN: FADE OUT. FADE TO: DISSOLVE TO: BACK TO: MATCH CUT TO: JUMP CUT TO:FADE TO BLACK.6sTSI=INTEXTI/E:INT-BEDROOM:DAY BAR-DAY7sTST DAY NIGHT AFTERNOON MORNING EVENING LATER MOMENTS LATER CONTINUOUS THE NEXT DAYJmCRO9INTINT. Scene Heading01119EXTEXT. Scene Heading01128I/EI/E Scene Heading0113@DAY - DAY Scene HeadingAction0114DNIGHT - NIGHT Scene HeadingAction0115HSUNRISE - SUNRISE Scene HeadingAction0116DMAGIC - MAGIC Scene HeadingAction0117GCONT continuing ParentheticalDialogue0118JINTER interrupting ParentheticalDialogue0119$000GCUTTOCUT TO: Transition Scene Heading1111EFADEINFADE IN:Action Scene Heading1112KFADEOUT FADE OUT. Transition Scene Heading1113IFADETOFADE TO: Transition Scene Heading1114MDISSLV DISSOLVE TO: Transition Scene Heading1115IBACKTOBACK TO: Transition Scene Heading1116PMATCHCUT MATCH CUT TO: Transition Scene Heading1117NJUMPCUT JUMP CUT TO: Transition Scene Heading1118BFBLACKFADE TO BLACK. 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